CONDUCTOR: We're doing you a favor.
With this saddle, they wouldn't have been able to get far.
We'll hold it for you.
HOBO: Hey! My saddle.
Give me my saddle, you dirty rotten pig.
CONDUCTOR: Now you tell me where they get the idea
they can ride this train without paying.
Nope, that gets taken by the company for his ticket.
Come on make yourself useful.
PASSENGER: Join me. PASSENGER: Well?
CONDUCTOR #2: Hey, where'd you get this? In some bathtub?
CONDUCTOR #2: Hey sharpshooter, easy with those revolvers.
We don't want no accidents on this train.
My friend saw your show and Tucson, says you're pretty good.
That's quite a shot.
RICHARD MARTIN: There's more than one.
There's three of them.
CONDUCTOR #2: [WHISTLING]
CONDUCTOR #2: Did I look at your ticket?
How 'bout showing me your ticket.
ROBBER: Hey!
HENCHMAN: [MUFFLED]
ROBBER: You'll just have to be a little patient.
HENCHMAN: That is [FOREIGN NAME] . He'd never miss amigo.
BILLY KANE: That's professional shootin'.
HENCHMAN: We'll never get out with him there.
By tonight we must reach the frontera.
BILLY KANE: Don't worry.
We'll leave someone behind to put the Sheriff
on the wrong track.
HENCHMAN: And who will have to stay and die huh?
BILLY KANE: You.
HENCHMAN: Maybe you fooling me huh?
BILLY KANE: Yeah you.
You and your men.
BILLY KANE: It's Susan shooting.
HENCHMAN: Hey why do you want to split up with my band huh?
Just to let you and your men get away from here.
BILLY KANE: There's only one who can shoot like that.
Tell him to stop.
HENCHMAN: Hahaha. We worked very good together huh?
BILLY KANE: Tell him to quit shooting
HENCHMAN: [FOREIGN NAME]
tell the men.
ROBBER: Hey muchachos
[FOREIGN SPEAKING]
BILLY KANE: Martin.
I know it's you Martin.
Come out.
It's Billy, Billy Kane.
They told me you were looking for me.
Well, here's your chance.
My men won't shoot.
Come out.
RICHARD MARTIN: I'm very pleased to see you in the company
of such gentlemen.
Kill me Billy or by God I'll kill you, believe me.
BILLY KANE: I'm afraid you'll lose.
KNEELING MAN: Scared teacher?
[CHUCKLING]
RICHARD MARTIN: You better kill me Billy,
but do it quick for your own good.
BILLY KANE: I guess I'd better,
because only beginners leave witnesses.
I never do.
Ain't wise.
I don't like to have my picture up on walls
and have people shoot me in the back
to get a reward. RICHARD MARTIN: Whatsa matter?
You trying to find an excuse to kill me.
You know damn well you don't
have to shoot me down to stop me from talking.
You're afraid.
Sooner or later I'll get you.
BILLY KANE: You can get me any day you want to if you
can still hold a gun.
HENCHMAN: We all go together now huh Billy?
You joke with me before.
BILLY KANE: I said you were staying.
You try to follow me and I'll put a bullet in your head.
Come on.
[FOREIGN LANGUAGE]
[SAD MUSIC]
RICHARD MARTIN: Everybody's invited.
Your attention please.
I'm about to present the great, the fabulous Ricky Shot.
Yes in person, Ricky Shot.
You're all about to see the incredible
come through when you see what he does to a target.
The very cowboy I saw one day make a coward of Jesse James.
The very cowboy who managed to split the cords
that were tightly binding his poor aged mother
who would die a moment later from a Navajo-
HECKLER: Woahoa.
RICHARD MARTIN: The cowboy who from a distance of 500 feet
actually shot a hole through a thin dime.
That's right folks from a distance of 500 feet-
COWBOY ON RIGHT: You know I think that punk can outdraw you.
BILLY KANE: It's a bet. RICHARD MARTIN: Why I tell you
there's no one from the Atlantic to the Pacific.
I assure you no one from Mexico to Canada
has been able to outdraw the lad I bring you today.
I give you the incomparable Ricky Shot.
Yay!
You're all about to see the great Ricky Shot
shooting a plate in mid air.
Ready.
COWBOY ON RIGHT: Hey champion?
BILLY KANE: I [MUFFLED].
I'll buy us a drink.
Come on.
BILLY KANE: Whiskey!
These gun fighters are getting fewer and fewer.
RICHARD MARTIN: You filthy swine.
Get up out of there.
BILLY KANE: You're saying that to me?
RICHARD MARTIN: You're a bunch of cowards and swine
because you know I can't use a gun.
BILLY KANE: I don't need my gun.
I can still smash your face in.
HENCHAMAN: Hey Kane, watch out you don't hurt him.
[LAUGHTER]
RICKY SHOT: You shouldn't do that.
It just ain't nice.
BARTENDER: [INDISCERNABLE]
RED TIE GUY: Go to Hell.
RICHARD MARTIN: I could have managed it alone.
Hey you, this is for the damage
and for burying my friend out there.
RICHARD MARTIN: Well thanks.
RICKY SHOT: Adios.
Si.
RICHARD MARTIN: This is the 3rd one that's ended up like this.
The minute you say you're a gunfighter,
there's always someone that has to prove
he's faster than you are,
but it wasn't like this a few years ago,
when I could still shoot a gun.
No one had the guts to challenge me.
I was the whole show.
RICKY SHOT: Now that they killed your boy,
what're you going to do? RICHARD MARTIN: Start all over.
RICKY SHOT: Too bad. I'm sorry. RICHARD MARTIN: Don't be sorry.
It's a waste of time.
Now I gotta worry about finding myself another boy.
You got a strong thumb and your fingers work quick.
How much your work pay?
RICKY SHOT:Enough to live on.
RICHARD MARTIN: I'll offer you 30%.
RICKY SHOT: I want half.
RICHARD MARTIN: It's a deal.
RICHARD MARTIN: By the way, you didn't introduce yourself.
What's your name?
RICKY SHOT: Ricky.
Ricky Shot.
RICHARD MARTIN: Give me a hand.
Oh one more thing.
I never did ask you. Are you any good with a pistol?
RICKY SHOT: Enough to live on.
RICHARD MARTIN: You wasted the shot.
That's not center.
If you don't like loud noises you'll have to pick off
that fuse like the stem of a flower.
RICKY SHOT: It's what you expect out of these old things.
RICHARD MARTIN: You'll never learn if you don't concentrate.
Got that?
Alright I'll put it where you can see it,
but if you miss this time
you'll have to get yourself a new teacher.
RICHARD MARTIN: I keep telling you to stand with your feet
further apart dammit.
And put your left foot 12" behind the other one.
That's right.
Your arm's got to be rigid.
Rigid I said!
You gotta feel your blood running from your shoulder right
through the tip of your gun.
Thumb the same height as the index finger.
Line up your sites first then your target.
Yeah!
Better luck.
Always said that six shooters were good for killing chickens
and Indians,
but for precision shooting you need dueling pistols.
It didn't go off.
RICKY SHOT: You think I'm really a fool don't you?
RICHARD MARTIN: Hey since when are you smoking my cigars.
Huh?
RICHARD MARTIN: Evening Sheriff. SHERRIFF: Howdy.
What you doing in these parts?
RICHARD MARTIN: Oh just touching up some old props.
SHERRIFF: You got anything to eat?
RICHARD MARTIN: I'm afraid there's nothing left
but the hot coals.
SHERRIFF: You got some coffee? RICHARD MARTIN: I think so.
Ricky.
See ya made a catch.
SHERRIFF: He's one of the prisoners from Belltown.
Had quite a time catching him.
RICHARD MARTIN: Were you able to get all of them?
SHERRIFF: Nope there's another one around,
but in time, we'll get 'em.
RICHARD MARTIN: That coffee's not much better than dirty
water, but it's all we got.
SHERRIFF: At least it's hot.
How's business?
RICHARD MARTIN: Haven't got our new tricks ready yet.
No one's willing to give us a credit.
SHERRIFF: I've had it rough too.
It's been days since I've slept in a real bed.
Of course I've been looking for that fourth convict,
but he won't get far without a horse.
Say Martin, you see a lot of people travelling around.
Information like that pays good.
If you see any of these faces come and tell me in Belltown.
We better be going now.
RICHARD MARTIN: Good night Sherriff.
Be seeing ya.
RICHARD MARTIN: So you're the fourth convict.
RICKY SHOT: So what if I was? RICHARD MARTIN: You know I
wouldn't mind getting my hands on that reward.
Calm down.
To me you're just Ricky Shot. RICHARD MARTIN: Grab it.
Shoot his back.
SOMBRERO MAN: Alright you can get down.
RICHARD MARTIN: I'm looking for Vigonza.
SOMBRERO MAN: Hey Martin. Come over this way.
He's in here.
VIGONZA: Hey. Buenos dias amigo.
RICHARD MARTIN: Vigonza.
VIGONZA: I heard they kill another one of your boys. Ha.
Those are bad people hahahahaha.
RICHARD MARTIN: Haven't seen a lot of these around the last
few weeks.
That can only mean that Billy Kane and his gang
are on their way again, towards Texas.
You want to talk about it?
VIGONZA: Come in.
SOMBRERO MAN: Hey artista.
Show me how good you are.
RICKY SHOT: Who's Billy Kane.
SOMBRERO MAN: He's the one who put the holes
in the hands of your boss.
That's something you should know.
Why you think he teach you to shoot huh?
He must have two steady hands
on the day when Billy Kane comes home again.
Hey artista show me how you shoot.
RICKY SHOT: If I don't have no audience, I don't feel like it.
SOMBRERO MAN: You won't have one when you have to challenge
Billy Kane.
You'll die on that day,
but all alone, because no one, not even
you can outdraw Billy Kane.
VIGONZA: [LAUGHING]
This is a very poor country.
Si Senor. [FOREIGN LANGUAGE]
It makes life difficult for us Bandidos.
Tortilla. [LAUGHING]
Mmm the people don't eat enough.
And our friend Billy Kane
he knows there's not enough for both of us
so I must get rid of him first before he gets rid of me.
RICHARD MARTIN: Who's going to do it Vigonza?
Who's going to be the man to face Billy Kane?
You?
Now who's kidding who?
Listen, your nothing.
Only Ricky's quick enough to take Billy Kane.
MAN WITH MUSTACHE: We wouldn't like it if your boy is killed
first.
It is very difficult to stay
alive around here if you're a pistolero.
RICHARD MARTIN: Why don't you make a deal with us Vigonza?
Just give me a small advance as sort of an investment,
that's all.
I guarantee the funeral of Billy Kane.
Well only a few dollars.
How about it? Come on Vigonza?
VIGONZA: No! You stupid old fool.
Don't you understand?
I don't need your help.
Things are different now.
[FOREIGN LANGUAGE]
Ha I have a big band, muchos women,
money and dinero is power.
As soon as Billy Kane has his foot in my territorio,
I will find him.
I will know where and when.
Sovienes,
give him a sack of flour and get him out of here.
GUY IN STRIPPED SHIRT: Here we don't give nothing for nothing.
See if you can win it.
If you can put this card on top without knocking
down the others, then we give you a keg of gunpowder too.
RICHARD MARTIN: These hands of mine?
GUY IN STRIPPED SHIRT: You said you was hungry no?
GUY IN CHECKERD SHIRT: You are not lucky old man.
RICHARD MARTIN: We'll see.
[RAUCOUS LAUGHING]
RICHARD MARTIN: Come on we're leaving.
RICKY SHOT: Didn't you get what you were after-
RICHARD MARTIN: I said we're leaving.
I'm going to have to sell these two pistols.
RICKY SHOT: They won't fetch more than two bucks.
RICHARD MARTIN: Enough to feed us for awhile.
You expect I was going to let
you learn to shoot on an empty stomach Son.
I don't care about me,
but I wanna keep your belly full.
Come on.
VENDOR: The only lotion in the world that put hair
back on the heads of people
scalped by that fierce Indian, Sitting Bull.
No more baldness.
Why it even cures all the ailments
from flaking scalp all the way to-
MAN IN BLACK: Now don't you try to get out of it, excuse me.
You said that sharp shooter's no good,
but I want to see him all the same.
MAN IN BEIGE: Alright let's take a look at him.
RICHARD MARTIN: Attention. Attention people.
Please attention. You will see a sensational act
that's sure to go down in the pages of folklore.
You will tell your Grandchildren
what you've seen on this great day here in this great city.
The one and only, the great Ricky Shot.
Alright Mr. Champion yay
[LAUGHING].
GUY IN VEST: I've seen guys who could shoot
that rope in half in Cheyenne.
RICHARD MARTIN: Wait no no wait, stay right where you are.
Now before your eyes you're going to witness an act
presented to people all over, in every country
from here to Persia.
The sensational Ricky Shot, champion sharpshooter.
1-2-3. RICHARD MARTIN: Great!
GUY IN LEATHER VEST: What did you say you saw in Cheyenne?
RICHARD MARTIN: I hope you enjoyed yourselves folks.
Isn't he great? Thanks.
We appreciate that Ma'am.
Thanks.
RICHARD MARTIN: Now Ladies and Gentlemen, your attention.
Please absolute silence now.
The champion is ready for the wheel of chance.
Let her spin.
Brilliant 4 Aces with exactly 4 shots.
The wheel of fortune stops.
Ace of Diamonds, Ace of Clubs, Ace of Hearts and Ace of Spades.
What have we got here?
Everyone a bull's-eye as you can see for yourselves.
Thank you and now Ricky Shot
thanks you for the kind applause,
will perform for you his last,
most stupendous number.
Those shots were way low.
You've still got a lot to learn.
RICKY SHOT: How'd the collection go?
RICHARD MARTIN: About enough to get
us through the next two weeks. Go on get it over with.
KRAMER: Hello Martin.
You're looking fine.
Haven't changed a bit.
RICHARD MARTIN: What do you want?
KRAMER: You're going to take me to Vigonza.
So I can sell him Billy Kane.
RICHARD MARTIN: Get out of here Kramer.
You can't manage it alone. KRAMER: Ever
since Billy discovered that I ran out on him,
he's been right on my heels.
Three days he's been on my trail.
I tell you I've had it.
RICHARD MARTIN: Your friends just don't want to part
with you.
KRAMER: Take me to Vigonza.
He'll pay us well,
but hurry up! RICHARD MARTIN: Get out of here!
KRAMER: Take me to Vigonza, you no good son of a-
RICHARD MARTIN: Let me introduce Ricky.
He can hit a dime in the air at fifty paces.
So get out fast and don't come back.
KRAMER: I say we should have put those holes in your head
instead of messing up them hands.
RICKY SHOT: One of Billy Kane's men?
RICHARD MARTIN: Yeah. RICKY SHOT: He was one
of the bandits that held up the train wasn't he?
RICHARD MARTIN: What about it?
Anyway, what do you care?
RICHARD MARTIN: What the Hell are you doing?
RICKY SHOT: I'm taking my 50%.
RICHARD MARTIN: Wait a minute.
Hey what are you planning?
RICKY SHOT: I'll see you later.
KRAMER: [CHUCKLIN] I want to get drunk!
This place is like a morgue.
Come on. I'm paying for everybody.
Let's liven it up.
Hey Charlie, I want a drink.
KRAMER: So you found me Billy eh?
KRAMER: It's about time isn't it?
But now that I see ya, I feel better.
KRAMER: Well maybe you'll let me finish this first.
RICKY SHOT: I'll take it.
Thanks.
KRAMER: Come on dance.
I'm bad aren't I?
Here you want some.
Come on drink.
Come on drink I said.
MATRON: Go ahead girls keep on dancing.
KRAMER: Dance I said dance.
Fancy seeing you here champion.
If you came here to get me,
it's too late,
because I had a little run in with Billy.
RICKY SHOT: Where'd he go?
KRAMER: Who the hell cares where that son of a snake's gone.
He always turns up at the right moment.
Here give me.
FEMALE VOICE: Hurry up and die will ya.
KRAMER: Don't stop until I tell ya.
Everything's free tonight.
Come on dance.
Hey you.
You gotta tell Vigonza.
Billy's returned alone.
Tell him Billy's men aren't going to get here 'til Friday.
All of them are planning to go to Wantpicna.
His men are sick and tired of him
and they are ready to sell his hide.
Vigonza oughta know that all of Billy's men
are ready to hand him over on a silver platter.
He'll pay you good.
Sardonapolis.
Who's this Sardonapolis?
MAN WITH MUSTACHE: An old King. KRAMER: ?
The death of Sardonapolis.
What do they mean going off and killing all of them women?
MAN WITH MUSTACHE: They say he wanted them murdered because he
didn't want to die alone.
KRAMER: You know, he had the right idea.
Come here blondie.
Come here will ya.
Don't worry you other girls will get your chance
and me too if I'm going to Hell I want some company.
BLOND WOMAN: No Kramer. Shoot me you dog.
RICKY SHOT: Hey Martin, Martin show me how to use this.
RICHARD MARTIN: You're learning
how to shoot with a dueling pistol.
What do you want with a 6 shooter?
RICKY SHOT: To get the men who robbed the train.
RICHARD MARTIN: So that's what was really on your mind,
to use me.
They're the ones that can give testimony
and you're hoping I'll lead you to them.
RICKY SHOT: You're no better than I am.
You want to use me to kill Billy Kane.
Towanapec's the place where you'll find him.
RICHARD MARTIN: Get that out of your head.
You're not ready for Billy Kane yet.
He'd put all 6 shots in you before-
RICKY SHOT: Quit drumming up tray.
You're not doing the show.
RICHARD MARTIN: I still could have done it without you.
RICHARD MARTIN: Always fire 2 shots because if you
wait between shots, you might find yourself dead.
Shooting at a target isn't like shooting at a man.
It's being quick that counts, not how precise your aim is.
And forget them fancy tricks.
Just put your thumb on the hammer
and then ease it back slow while you draw.
See you're ready to aim and shoot in one motion.
Fire! Always pick this point when you shoot,
otherwise you're wasting bullets.
Not bad,
but don't get any big ideas.
You'll have to do better than that to get Billy Kane.
Look what he did to that holster
will you?
It seems like it was cut with a razor.
That's about the greatest shot I've seen in my time.
RICKY SHOT: Why didn't he kill you on the train
along with everybody else?
Were you friends?
RICHARD MARTIN: I heard of him.
Look at that closely.
You can't do better than that
and you still want to go to Towanapec?
RICKY SHOT: Yeah.
[SINGING]
RICHARD MARTIN: Trouble.
MAN WITH GUN BELTS: [FOREIGN LANGUAGE]
Make them get down and go on in each their house.
[FOREIGN LANGUAGE]
Ezekiel you're next.
[WOMAN SCREAMING]
RICHARD MARTIN: Well you're getting there.
RICHARD MARTIN: It was luck.
I'll mind the ladies.
RICHARD MARTIN: It gets cold Ma'am.
HAT RECIPIENT: Thank you Sir thank you.
RICHARD MARTIN: You girls alright?
BETTY STARR: Richard Martin.
RICHARD MARTIN: Hey, Betty Starr.
What are you doing here?
BETTY STARR: Me and my girls was on tour
and I guess that we're the only ones that escaped.
RICHARD MARTIN: If you want me to I'll take you to Towanapec?
BETTY STARR: One place is as good as another.
RICHARD MARTIN: Let's get going.
BETTY STARR: Ricky!
RICHARD MARTIN: You know each other?
Where'd you two meet?
BETTY STARR: I'm always getting into debt with Ricky.
Ain't I.
WOMAN: Billy Kane's men have arrived.
VIGONZA: You took a long a long time to get here.
You look more like a gringo every day.
How did it go?
How 'bout the others?
SOMBRERO MAN: We split up into groups when we left Arizona,
but all of us are meeting here tonight.
VIGONZA: A bueno, good.
SOMBRERO MAN: It wasn't easy. VIGONZA: Hola
[FOREIGN LANGUAGE]
SOMBRERO MAN: Now Bill's got us in trouble with the Federals.
VIGONZA: Billy Kane.
Billy Kane asks much and don't give nothing.
He's laco.
Yeah, he likes blood,
but he don't like money.
Now we eat amigos.
Sit down. Sit down.
Hey you bring out the food, cerveza.
He's the owner of the house
but I take his place because it is closer to Wantabec.
Quickly, the food is for my amigos.
[FOREIGN LANGUAGE].
Eat, my friends.
Eat. SOMBRERO MAN: Bueno.
Billy's expecting us at the saloon after sundown.
Instead of us he's going to find you.
VIGONZA: I kill him.
You mean me and my muchachos?
SOMBRERO MAN: Yup. We're going to stay right here.
Maybe you kill him.
Maybe you won't.
Billy is bound to shoot up a few people,
but it ain't going to be us.
BETTY STARR: It's the quietest place on the whole border.
It was built by Quakers.
Ever since they built the railroad,
there's been quite a bit of money in circulation.
BETTY STARR: [MUFFLED]
Thank you.
Thanks Martin.
RICHARD MARTIN: My pleasure.
RICHARD MARTIN: Everybody out girls.
WOMAN IN FRONT: Well it's about time.
RICHARD MARTIN: You like it? WOMAN IN FRONT: It's marvelous.
RICHARD MARTIN: Careful there honey.
This is where you'll stay.
LADY WITH HAT: Thank you.
MAN FIGHTING: Excuse me Senor.
RICKY SHOT: You said this was a peaceful place.
BETTY STARR: Yes it is in Texas,
but Mexico's on that side.
This is the border line right here in the middle.
BAR TENDER: Welcome back Betty. BETTY STARR: Thank you.
Tequila or Whiskey?
MAN IN YELLOW PANTS: [FOREIGN LANGUAGE].
Betty Starr. Velvet legs.
Come here all of you.
Come here hombres and look who's arrived.
[FOREIGN LANGUAGE]
BETTY STARR: Ricky I owe you something.
RICKY SHOT: I'll be here.
MAN NOT FACING CAMERA: You are new here si?
Can I buy you a drink Senorita?
RICHARD MARTIN: Vigonza has respectfully requested
our presence.
It seems that Billy Kane's men have arrived.
MAN WITH RIFLE: You now.
RICHARD MARTIN: I know what these filthy pigs want.
RICKY SHOT: Don't worry.
I'll wait for you at Eagle Rock.
VIGONZA: Hey amigo, you didn't bring me the message of Kramer.
The last words of dying man is sacred.
RICKY SHOT: He killed 3 of our men Vigonza.
VIGONZA: You want money?
RICKY SHOT: Sure.
Why not.
MAN WITH HANGING SOMBRERO: Vigonza.
What about him?
MAN IN WHITE: Let me go.
MAN WITH HANGING SOMBRERO: He wants to leave.
VIGONZA: He can go.
MAN IN WHITE: Gracias Senor.
Muchos gracias Senor.
MAN WITH HANGING SOMBRERO: What if he talks?
VIGONZA: Here's much money for you.
You get this from me if you kill Billy Kane.
RICKY SHOT: Go on.
VIGONZA: When he turns his back,
then you will be able to give us a signal.
We will all shoot him before he has the time to shoot us.
This is our signal huh?
BETTY STARR: Come on play something light and gay.
BETTY STARR: Ricky you don't want to drink that stuff do ya?
Ha this is what we keep for the special customers.
Gonna be a bad night.
I can smell it. Vigonza.
Be careful it may mean trouble for you.
VIGONZA: Freddy. Hey all of you. Get out of here. Hurry. You too.
Move everybody out of here.
Get ready, quickly.
RICKY SHOT: You better get out.
BETTY STARR: Ricky don't do anything foolish.
RICKY SHOT: I said get out.
MAN IN WHITE: Mother the deuce
BILLY KANE: Play.
RICKY SHOT: Whiskey Madam
and Billy Kane.
BILLY KANE: What's it to ya?
RICKY SHOT: They gave me this money to kill you.
BILLY KANE: That's mighty funny.
RICKY SHOT: Your men have sold you out to Vigonza.
BILLY KANE: And he's put you here as bait I suppose.
RICKY SHOT: There are 6 of them in here.
When I light a match.
They'll shoot you.
There's one sitting by the table.
The rest are sitting there.
Vigonzo's hiding behind the piano.
I can see the tip of his boot.
BILLY KANE: Which end of the keyboard?
RICKY SHOT: Where the high notes are.
BILLY KANE: Can you get one of them?
RICKY SHOT: Two.
The one at the table and the one with the poncho.
RICKY SHOT: Now!
BILLY KANE: There's one you missed.
Let's have some music.
[MUSIC]
BILLY KANE: What do you want from me?
RICKY SHOT: You can help me get back to my ranch.
I was on that train for Tucson you held up,
but since I hadn't any ticket they threw me off.
Then they found my knife in the belly of a train conductor.
The judge gave me 30 years.
BILLY KANE: How'd you get out?
RICKY SHOT: Some of the jailbirds made a break
and I went along.
I'm wanted dead or alive.
All I need is one of your men
that can swear I didn't rob that train.
It's the only way I know to prove that I'm not guilty.
BILLY KANE: And you want me.
RICKY SHOT: Never even thought of it.
One of your men will do.
BILLY KANE: It's a deal.
RICKY SHOT: He's going to warn the others.
BETTY STARR: Martin.
I guess you saw what happened.
RICHARD MARTIN: Yeah I saw it.
Doesn't matter.
BETTY STARR: You're disappointed aren't you?
RICHARD MARTIN: I counted on him to get Billy Kane for me.
I thought he was going to do it too.
BETTY STARR: But he had his own reasons to act the way he did.
RICHARD MARTIN: Yeah.
MAN IN BLACK: Well is he dead?
BILLY KANE: Take your choice.
You want Clem?
Clem likes to talk.
Keep you company on your trip.
Or take Doc here.
He can bandage a wound or pull your tooth if it hurts.
What about Dirty here.
He's got a strong smell,
but he wouldn't harm a flea.
Guess that's why he gots so many flea bites ain't it Dirty?
You can have Bastard Sam too.
They wanted to lynch him,
cause he shacked up with a 10 year old girl.
BASTARD SAM: Wasn't my fault. I thought she was 12.
BILLY KANE: One of you is going with my friend here
to the Sherriff.
Maybe you'll get hung,
but it's something I owe him.
Which one do you want?
RICKY SHOT: It makes no difference,
just so long as he talks.
BILLY KANE: If he won't talk for you, he won't talk anymore.
I'll make the choice.
MAN IN VEST: We couldn't go on anymore like we was Billy.
You were taking, taking half of everything.
BILLY KANE: I ask you to be spokesman? You Doc?
DOC: Not me Billy. I didn't want to sell-
BILLY KANE: Get in the corner. Freddy Boy.
Too busy thinking of women.
Hurry up.
You get over there.
You tried to sell me out but you lost.
No hard feelings.
The one that draws the lowest card goes with him.
BILLY KANE: Here's your man.
Now we're even right?
BILLY KANE: Get the horses ready.
We're going into town.
GREY HAIRED MAN: What are you thinking of doing?
BILLY KANE: You said you wanted more money.
Well we're getting it, before sunup and in Tawantapec.
[GUN SHOTS]
RICKY SHOT: Is that you shooting?
RICHARD MARTIN: Yeah coyote.
RICKY SHOT: This is Nunio.
RICHARD MARTIN: I know him.
RICKY SHOT: Martin, I better tell you something.
I was on that train too.
RICHARD MARTIN: So I been told.
When you planning on going?
RICKY SHOT: At dawn.
As soon as I've turned him in to the Sheriff,
I'm going back to my folks' ranch.
Martin, why don't you come with me?
RICHARD MARTIN: I don't fit into bedroom slippers.
I've tried 'em.
I'll stick to my old boots.
RICKY SHOT: You've been a good teacher.
RICHARD MARTIN: A good teacher doesn't teach you how to kill
a man.
You could have been killed tonight.
RICKY SHOT: Never crossed my mind to face him.
It's a private fight between the two of you.
See you tomorrow. RICHARD MARTIN: No Ricky,
I guess we'd better just forget about it.
RICKY SHOT: Ready? Here.
RICKY SHOT: Martin.
Hey Martin!
BILLY KANE: Hey Sheriff, you recognize him?
He's waiting for you outside.
UNKNOWN MAN: Billy we're ready.
RICHARD MARTIN: Here I am Billy Kane.
BILLY KANE: Those good old days were long ago Martin.
You can't even see, much less hold a gun.
Load your gun.
Go ahead.
BILLY KANE: They're behind the windows.
BEARDED MAN: No way, they haven't got the guts
to fire at us.
BILLY KANE: There's always some hothead wherever you go.
BEARDED MAN: Git back.
BILLY KANE: Guess that's the end of the heros.
BILLY KANE: Give me the key Granbo.
That's right.
BILLY KANE: Get a move on you two.
BETTY STARR: He finally caught up with Billy Kane.
RICKY SHOT: Why did he have to do it?
BETTY STARR: Every time Billy shot somebody,
it was like he was pulling the trigger instead.
RICKY SHOT: Top gun.
Richard Martin.
Billy Kane.
Shooting competition.
Dallas County Fair.
1876.
BETTY STARR: They won it when they were giving shows together.
They were really something.
Then Billy got the idea he could do better robbing trains
and banks,
so he left him.
RICKY SHOT: Guess they were pretty good friends.
BETTY STARR: They were almost Brothers.
Martin taught him everything about shooting.
For him, it was his duty to go off and put an end to it.
Forget about it Ricky or I'll have lost you both.
MAN IN BLUE: Hey wait, don't go yet,
I saw them go into the saloon.
NUNIO: Billy, Billy Kane.
I kill the Gringo.
I'm alone.
MAN IN BLUE: It's Nunio
RICKY SHOT: Call him again.
This time make it more convincing.
NUNIO: Let me go. He will kill me.
Billy Kane.
I'm wounded where are you?
Help me you dog.
MAN WITH HAT: Huh, well what do you know?
He must have given him the slip eh?
BILLY KANE: Quiet you fool.
NUNIO: Billy come and help me.
BILLY KANE: This young friend of mine laid a trap for me.
MAN WITH HAT: What does he want? BILLY KANE: Me.
NUNIO: Help me Billy.
BILLY KANE: He's finally in business for himself.
NUNIO: I'm wounded Billy.
Where are you?
Billy!
Help me I'm wounded.
NUNIO: [FOREIGN LANGUAGE] made me.
I had to.
BILLY KANE: Where'd he go?
NUNIO: I could not warn you.
He made me.
BILLY KANE: Where is he?
NUNIO: Somewhere.
Billy I think you too
[FOREIGN LANGUAGE].
RICKY SHOT: Hey Preston!
BILLY KANE: You're not so smart.
You should have gone while the going was good.
Hey Ricky, it's too bad.
No one to prove your innocence.
You shouldn't have come back,
but fellows like you wanna die, wanna be a hero.
BILLY KANE: Alright.
BILLY KANE: When the bucket is empty,
we'll both come out shooting.
BILLY KANE: What's wrong?
RICKY SHOT: Think I'd believe you'd stick by your word.
BILLY KANE: You really want get killed don't you.
Alright, I'll fix you up.
[CHICKENS CLUCKING IN ALARM]
BILLY KANE: You think I can't get rid of you whenever I want?
Do you hear me?
Did you ever see anyone get rid of the King as clean as that,
without touching the other pieces?
RICKY SHOT: I was Martin's pupil too.
I know all his tricks.
He taught 'em to me to kill you,
Billy Kane.
RICKY SHOT: Just to kill you, Billy Kane.
RICKY SHOT: Bye Betty. BETTY STARR: Ricky,
what am I going to do if you have to always run away?
RICKY SHOT: What else can I do. I lost all my witnesses.
BETTY STARR: What's your real name Ricky?
RICKY SHOT: Philip Raymond.
BETTY STARR: No Philip Raymond was killed with the others.
I'm going to tell the Sherriff that a stranger killed him,
a man called Ricky Shot. RICKY SHOT: Goodbye Betty.